Toon Boom Studio 4

Toon Boom heeft hun grootste versie van de Studio nog met de aankondiging van Toon Boom Studio 4 uitgegeven. Neem een blik bij de nieuwe eigenschappen en de verbeteringen van deze versie van populairste de animatietoepassing van Toon Boom's.

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Nieuwe Toon Boom Studio 4 Eigenschappen

De ingenieurs in Toon Boom zijn hard bij het werk dat tot nieuwe functionaliteit voor hun loyale animerende klanten leidt geweest.

Veervormige structuur

Een volledig nieuwe eigenschap is een vertroebelend nut genoemd veervormige structuur. De vector grafiek is niet, door hun aard, zeer goed bij vaag tonen of anti-aliased randen. Toon Boom en Flits kan aardige kernachtige randen en overzichten tot stand brengen gemakkelijk genoeg. Met veervormige structuur kan Toon Boom Studio 4 vertroebelen om het even welke tekening nu nemen en het is randen. Het is configureerbaar, wat nuttig is om bij de perfecte hoeveelheid aan te komen het langzaam verdwijnen.

Op dit ogenblik is het bevederen een waar speciaal effect van Toon Boom, maar eerder geen nut. Er zijn één of andere minder belangrijke uproar op de forums van Toon Boom geweest om de ontwikkelaars in het integreren van dit te overhalen aangezien een volslagen effect, hopelijk zulk een eigenschap niet ver in onze toekomst is.

Configureerbare Interface

De vensters in Toon Boom Studio 4 kunnen worden gevormd en resized om uw ideaal het werkmilieu het best aan te passen. Zodra gevormd kunt u de lay-out bewaren en het noemen nochtans houdt van u, makend het gemakkelijk om later van een dropdown menu te kiezen.

De Eigenschap van de schaar

Een nieuwe eigenschap is de schaar, die u toestaat om gedetailleerde delen van een tekening snel te snijden en te misvormen. Het verstrekt eveneens een bounding doos voor gemakkelijke manipulatie.

De betere Integratie van het Web

Het aanbieden van het gebruik van het inbedden van code en preloader is een belangrijke stap naar betere web-based integratie. Toon Boom Studio 4 biedt deze als opties voor uw .swf output aan, hoewel preloader zelf niet zeer configureerbaar is. Het is een begin, nochtans.

Geassorteerde Stukken en brokken

Toon Boom Studio 4 omvat ook vele minder belangrijke updates en verbeteringen. Zoals met om het even welke belangrijke verbetering gaan er altijd die toepassingsmoeilijke situaties en aanpassingen zijn die het niet eenvoudig op de rug van de doos maken.

Toon Boom Studio 4 is een grote toepassing. Het is stabieler dan Toon Boom Studio 3.5, en blijft met het indruk maken op is gemakkelijk van gebruik en de kwaliteit van movies het uitvoert. Als u in het proberen van het alvorens in een nieuwe animatietoepassing geinteresseerd bent te investeren u zou moeten download de vrije proef.

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16 reacties op „Toon Boom Studio 4“

  1. SteveSloan Zegt:

    Toon Boom Studio 4 was een prachtige verrassing toen ik mijn handen op het kreeg. Het is het werk zeer zoals een afgezwakte versie van Studio Pro/Harmonie. Some of the bells and whistles are missing, but when I get home from the studio to work on independent projects there’s no longer the ‘culture shock’ of moving between two vastly different interfaces for doing basically the same thing.

    I’m interested to see what other effects will be making an appearance in future patches/versions.

  2. Will Says:

    Harmony/Solo is one of those applications that I hope to have a chance to see in action some day. Even Digital Pro would be impressive.

    I keep hearing about several animated movies being made with the Harmony suite (The Simpsons for example), I just imagine it being an awe-inspiring application. I wonder if if comes complete with a “Send to Korea to Make Look Pretty” button.

  3. SteveSloan Says:

    Ugh, I’m sure that one day soon, there’ll be something very similar to the “Send to Korea” button, possibly a “Send to India” or “Send to Singapore”. Unfortunately there’s a glitch in the program that links these buttons to the “Jobless Domestic Animators” Utility.

    As far as I can tell, Solo IS Studio Pro it’s just been re-branded. Harmony isn’t much different, it just comes with a bunch more editing and compositing stuff I think.

    Toon Boom’s been a force in features for a while, Mostley in the realm of compositing and digital ink and paint. I’d be interested myself to see if theres been a ‘Tradigital’ feature film made with the software.

  4. Karen JL Says:

    FYI - Two TV shows done in Harmony are ‘Ruby Gloom’ and ‘Grossology’. They were animated by Nelvana and Mercury Filmworks and shown on YTV in Canada. Don’t know if they’re shown anywhere in the US yet. You can Google them to check out the sites tho…might find some clips to check out. : )

    It seems more studios are starting to make the switch from Flash to Harmony.

  5. Will Says:

    @SteveSloan, Ah, I wasn’t aware of the rebranding, good to know. I need to keep my terms straight.

    @Karen, I’ve seen bits of Ruby Gloom and I really like the style. I haven’t seen Grossology, I’ll have to see if YouTube can enlighten me. Did you work on either series?

  6. Karen JL Says:

    I didn’t, but a lot of my ex-students did. And my better half runs the Mercury studio out west. Ruby is just wrapping up this week and you can find grossology here: http://www.ytv.com/programming/shows/grossology/

    I think those animators will find they have an advantage over the Flash guys in the near future. It takes more training to learn Harmony and if they’re already experienced, they’ll get the jobs.

    Until it all goes overseas of course…: )

  7. Karen JL Says:

    Oh, and I actually believe that Solo is the ’single’ version of Harmony. More for the freelance/independent professional artist. Harmony is only worth it for the big studio set up because of all the licensing fees and better production flow. I think that’s what the main difference is.

  8. Ugo Says:

    Indeed Solo is the stand-alone version of Harmony. Biggest difference in between the software is that Harmony is working on a database (server/client setup) and support high volume scanning.

    There is actually a no time limit demo version Digital Pro (which is the newest version of Solo) available so if you want to give a look to the software feel free to do so but don’t spend too much time on it we are still looking forward to get more animation on CalicoMonkey ;).

  9. Will Says:

    Heh. Digital Pro would be nice, but even if it’s the bees knees (god I’m old) it’s price tag is more than slightly out of reach. Maybe I’ll have a donation drive to see about purchasing a license someday.

    Regarding the next animation, I totally just finished the script for Episode 11. Woo! It will launch on Feb 19.

  10. SteveSloan Says:

    @Karen:
    I’m an animation supervisor at Mercury Ottawa, Small world!
    Other shows done in Harmony, Gerald McBoing Boing (I believe its on Nick in the States) Wierd Years, 6Teen. All Mercury filmworks joints. (With Nelvana on 6Teen) and all, in my humble opinion, head and tails above most flash productions.

    @Will:
    Yeah Digital pro is a bit pricey, and you REALLY have to be able to justify it, Studio 4.0 can give us a lot of what we need as indipendants right now, and Digital Pro might be ‘gilding the lily’ a bit.

  11. Karen JL Says:

    @Steve…ha! I actually wondered that, since you said you work on Toon Boom during the day…so few studios do. They worked on Gerald out here too. I do storyboards (for Studio B right now). Say HI to Clint for me…he was my DIP teacher way back when (before he started Mercury).

    And yes this industry is small isn’t it? Everybody knows someone who’s worked somewhere : )

  12. Will Says:

    And now I know two people who have worked somewhere.

    Be sure to check out each other’s sites:
    http://www.karenjlloyd.com
    http://www.uponanimation.com

  13. Rhiannon Says:

    Well I’m very familiar with previous versions of Toonboom though it would do me much good to look at these tutorials because I’m sure there are some changes and new features I have to get familiar with.

    Yes animating characters with pegs is still frustrating for me which is why I’m still hanging around.

  14. Will Says:

    Depending on which version of Toon Boom you’re coming from Rhiannon, you may find that that Toon Boom 4 can offer quite a bit. My understanding is that Toon Boom 2 and earlier versions did not allow elements to have internal pegs - everything had to have a regular peg. This changed with Toon Boom 3, and now it’s considerably faster to assign internal pegs for your drawings.

  15. ALZeus MistaJokka Says:

    This might sound stupid, but, is it possible to use a JPG (character surrounded by blue/green screen) or even a JPG showing a back round environment imported into Toon Boom? Or is it something that i have to use After Effects’ Puppet Tool for…

    Just working on a project that i started by creating characters into JPG and using Crazytalk 5 for the “Characters” to talk and now looking for something in order for them to be animated/moving them…

    Thank you for your time,
    Alex

  16. Will Says:

    @Alzeus,

    You could use Toon Boom for that, but there is no automatic blue/green screen filter. A better option is to convert the JPGs into PNGs so that you can keep that transparent alpha channel.

    Of course, you could always do your lip syncing directly in Toon Boom, but it sounds like you’ve already created that in Crazytalk (which I’m not familiar with).

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