À¯¸®Á¦ Toon ºÕ ÀÚ½À¼¸¦ ²÷±â
Kroaky ÀÇ¿¡ »õ·Î¿î Toon ºÕ »ç¿ëÀÚ Àß À¯ÁöµÈ °ø°³Åä·Ð À¯¸®Á¦¿¡°Ô ²÷±â »ì¸®´Â °ÍÀ» ½ÃµµÇϰí ÀÖ´Â µ¿¾È ¾î¶² °ÝÆÄ¸¦ ³ªÅ¸³Â´Ù. ÀÌ ÀÚ½À¼´Â ±×ÀÇ Æ÷½ºÆ®¿¡ ÀÀÇÏ¿© À̰í, Èñ¸ÁÀÌ ÀÖ ±×ÀÇ Áú¹®¿¡ ±×¸¦ µµ¿ï ¼ö ÀÖ´Ù. ½Å¿ëÀº Ugo, ±×ÀÇ Áú¹® óÀ½¿¡ ÀÀ´äÀ» À§ÇÑ Toon ºÕ °ø°³Åä·ÐÀÇ ¹«¼ÒºÎÀç µµ¿òÀÌ µÇ´Â ÇàÁ¤°ü °£´Ù.
´ç½ÅÀº ÀÌ ÀÚ½À¼¿¡¼ ÀÌ¿ëµÈ ¿ÏÀüÇÑ Toon ºÕ ÆÄÀÏÀ» ´Ù¿î·ÎµåÇÒ ¼ö ÀÖ´Ù ¿©±â¿¡¼ (¹è¿µÇ´Â Mac).
ƯÁ¤ÇÑ ¹®Á¦Á¡Àº ´Ù¼ö keyframes¸¦ âÁ¶Çϰí´Â, ±×·¯³ª ´ÜÁö ¿øÈ¸¸ ¹Ù²Ù±âÀÇ ÁÖÀ§¿¡ Á߽ɿ¡ µ×´Ù. °á°ú´Â °¢ keyframe°¡ ´ÜÁö µ¿ÀÏÇÑ µ¿ÀÏÇÑ ±×¸²¸¸ Æ÷ÇÔÇ߱⠶§¹®¿¡, ½Ã°£ Àü¸é¿¡ º¯ÈÇÏÁö ¾ÊÀº »ý±âÀ̾ú´Ù.
È¥¶õÀº Toon ºÕÀÌ (Á¤È®ÇϰÔ) ±¸Á¶¸¦ ±¸Á¶ ³»ÀÇ ¸ñÇ¥¿Í ´Ù¸£°Ô ´ë¿ìÇѤ¤´Ù´Â °ÍÀ» ´Â ¼¶±¤ °°ÀÌ »ç½Ç¿¡¼, ´Ù¸¸ ¼ÓÀδÙ. Kroaky´Â °ÝÆÄ·Î À̲ø¾î ³»´Â ±¸Á¶¿¡ ÀÖ´Â ¸ñÇ¥¸¦ º£³¢°í ǮĥÇÏ´Â °ÍÀ» ÀǹÌÇϰí, ´ë½Å¿¡ ±¸Á¶ ÀÚü¸¦ º£²¼´Ù. ³ª´Â ´ëº» Kroaky âÁ¶ÀÇ ºü¸¥°ú ´É·üÀÌ 7°³ÀÇ ±×¸²À» Æ÷ÇÔÇÏ´Â °£´ÜÇÑ 16ÀÇ ±¸Á¶ »ý±â·Î ¹æ¹ý ±â¼úÇѤ¤´Ù´Â °ÍÀ» º¸¿©ÁÖ´Â °ÍÀ» ½ÃµµÇß´Ù. ³ª°¡ ÃëÇÑ Á¶Ä¡´Â ¿©±â¿¡¼ ÀÖ´Ù (±×°ÍÀ» È®´ëÇϱâ À§ÇÏ¿© °¢ ½É»óÀ» Ŭ¸¯ÇϽʽÿÀ).
³ª´Â ½ÃÀÛÇϰí À¯¸®Á¦ ±×¸² ¼ººÐÀ» âÁ¶Çؼ, ¿¬ÇÊ °ø±¸ ¹× ¼± °ø±¸¸¦ »ç¿ëÇÏ¿© ±× ÈÄ¿¡ ±âº»ÀûÀΠâÀ» ´ç°å´Ù. Notice how in the timeline at the bottom the ¡°glass¡± element spans 16 frames.
I then used the pencil tool with the smoothness level turned all the way down to one to start creating my initial cracks in the glass on a new drawing element, on the first frame. With the smoothness practically turned off, we¡¯ll get some random jaggedness in our line shapes, which will help the believability of our cracked lines.
Then, instead of adding a new keyframe, I used the drawing select tool (indicated here with a red arrow), to choose the drawing I just created (not the frame itself). I copied that, moved to the next frame, then pasted the drawing.
If you were to look at the Exposure Sheet right now you would see that there are two drawings (as Ugo stated in the forums), as well as two frames in the ¡°crack¡± level in the animation (indicated here with a red arrow).
The remainder of the animation is simply repetition: add a bit more cracking glass to the current frame, select everything you just drew, copy, move to the next frame, paste. On the seventh frame I decided the point was made and simply extended the final frame out over the remainder of the animation (¡¯R¡¯ is the keyboard shortcut to do this by default).
And here is the final product:
I¡¯m thinking about submitting it to AniBoom, with executive producer credits going out to Kroaky, Ugo and JK.
What the hell does an executive producer do anyway? I hope it¡¯s somebody that brings in danishes. I frickin love danishes.
Tags: toon boom tutorials



















April 9th, 2008 at 9:21 pm
Over all it¡¯s not that impressive. As simple as Making a Masked motion tween in Flash.
February 15th, 2009 at 7:58 pm
Watch your language!